Jean Michel Basquiat “Obnoxious Liberals” (1982)
Jean-Michel Basquiat began his career as a wild-child, anti-establishment graffiti artist, and his rebellious stance is most graphically evidenced in his 1982 painting Obnoxious Liberals.
As the title suggests, Obnoxious Liberals depicts a series of figures representing capitalism and its hapless, powerless victims. The exploited, corroded victim, on the one hand, is virtually held hostage by the minions of mainstream White American culture, as represented by dollar signs, cowboy hats and Uncle Sam top hats as well as a “Not For Sale” sign. The victim’s dark skin also hints at the systematic oppression of African-Americans.
Basquiat was born in New York City in 1960 to parents of Haitian and Puerto Rican descent. The racial injustices he witnessed from an early age filled him with rage and the urge to rebel against the system. The political overtones of an indignant Jean-Michel are most obvious in Obnoxious Liberals.
Basquiat had no compunction about accompanying his visual art with written words expressing his intentions. Phrases, expressions, even nonsense syllables were acceptable to him as long as they helped him to convey his urgent, keenly felt messages to the public. For Basquiat, his message, the need to be understood, was just as important as the visual creation itself.
One of Basquiat’s main influences was Pablo Picasso, and this influence is notable in Obnoxious Liberals. The painting is clearly reminiscent of Picasso’s masterpiece Guernica and also portrays the atrocities perpetrated on the helpless victims by ruthless and unscrupulous authoritarian figures.
Although Basquiat’s creations often appear chaotic, as if he simply blew them out of his head on the spur of the moment, in fact, this is an impression which the artist himself strove painstakingly to produce.
The truth was that, in reality, he spent a great deal of time pondering over his canvases and carefully constructing in his mind what he wished to display, the disposition and lay-outs of his work and the messages he wanted to transmit.
The charismatic creator was a brilliant artist who knew how to employ vivid color for masterful effect. The use of primal, primary tones, splashes of raging red to attract the eye, glaring blue and black contrasting with pristine white and the almost complete absence of any other hues are some of the notable features of this painting.
Obnoxious Liberals, with its clear, confident strokes, is without a doubt a perfect example of Basquiat at his best.
Photo: Kim Bell