GWOP University

"Art Study" by Kim Bell

Tag: art student

Ed Ruscha “Heavy Industry” (1962)

Ed Ruscha (b. December 16, 1937) in Omaha, Nebraska.

One of the most important postwar artists, Ed Ruscha came into prominence during the 1960s pop art movement. First recognized for his associations to graphic design and commercial art, Ruscha became admired for his meditations on word and image. Working in a variety of media and taking the environment of Los Angeles as a guide, Ruscha creates candid, comic presentations of familiar ideas and locations that continue to impact contemporary art.

Heavy Industry
1962
oil and pencil on canvas
67 x 71 5/8 in. (170.18 x 181.93 cm)
📸 by Kim Bell
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Darts That Cut Black by Barry Oretsky (1989)

Barry Oretsky
B. 1946
Darts That Cut Black (1989)
Acrylic on canvas
46 x 62 inches
Provenance
For sale : $40,000

Frank Stella (1983)

Frank Stella, in full Frank Philip Stella, (born May 12, 1936, Malden, Massachusetts, U.S.), American painter who began as a leading figure in the Minimalist art movement and later became known for his irregularly shaped works and large-scale multimedia reliefs.

Frank Stella works are influenced by Jasper Johns, Jackson Pollock, Barnett Newman, Franz Kline and Caravaggio. This 3 D Stella pictured above is one of my favorite paintings at the Detroit Institute Of Arts museum.

Photo 📸 Kim Bell

Vincent Van Gogh “Self-Portrait” (1887)

Detroit Institute Of Arts

“For want of a better model,” Van Gogh chose to paint his own portrait on many occasions. While in Paris between 1886 and 1888, Van Gogh lightened his palette under the influence of the brilliant colors of the impressionists, but he soon reserved the use of such light colors to express particular moods. Van Gogh’s stay in Paris was a relatively happy one, and in this painting, created during the summer of 1887, he portrays himself with an almost light-hearted appearance. This image above is located at the Detroit Institute Of Arts in Detroit,MI and was the first Van Gogh painting acquired in the United States. Van Gogh was one of the modern masters but didn’t receive his credit until he died.

Photo 📸 Kim Bell

Basquiat “Skull” (1982)

Many of Jean-Michel Basquiat’s paintings are in some way autobiographical, and Untitled may be considered a form of self-portraiture. The skull here exists somewhere between life and death. The eyes are listless, the face is sunken in, and the head looks lobotomized and subdued. Yet there are wild colors and spirited marks that suggest a surfeit of internal activity. Developing his own personal iconography, in this early work Basquiat both alludes to modernist appropriation of African masks and employs the mask as a means of exploring identity. Basquiat labored over this painting for months — evident in the worked surface and imagery — while most of his pieces were completed with bursts of energy over just a few days. The intensity of the painting, which was presented at his debut solo gallery exhibition in New York City, may also represent Basquiat’s anxieties surrounding the pressures of becoming a commercially successful artist.

Photo 📸 Kim Bell

Mark Rothko (1957)

LACMA

Abstract Expressionist Mark Rothko is known for the hovering, shimmering fields of color in his mature paintings. White Center reflects his fascination with the emotional and visual power of the color red, which dominates his canvases of the 1950s and 1960s. The red rectangles suggest ritual and elemental associations (blood and fire, life and death), while an inner light appears to emanate from the white center, suggesting an ethereal, numinous glow. For Rothko, color was key to a spiritual realm, evoking transcendental truths that could not be expressed through recognizable imagery.

Photo: Kim Bell

Clyfford Still (1979)

Still Museum (Denver, CO)

Considered one of the most important painters 🎨 of the 20th century, Clyfford Still (1904–1980) was among the first generation of Abstract Expressionist artists who developed a new and powerful approach to painting in the years immediately following World War II.

After the artist’s death in 1980, the Clyfford Still Estate was sealed off from public and scholarly view. Still’s will stipulated that his estate be given in its entirety to an American city willing to establish a permanent museum dedicated solely to his work, ensuring its survival for exhibition and study. The Still Museum collection, which represents 95 percent of the artist’s lifetime output, includes approximately 3,125 works created between 1920 and 1980. This museum is full of inspiration. Pictured above is the last painting created by Clyfford Still in 1979.

📸photo: Kim bell

William de Kooning (1959)

Detroit Institute Of Arts

Unlike his contemporaries Jackson Pollock and Mark Rothko, de Kooning’s paintings refer to natural forms and specific places or events, pushed into pure abstraction by his reliance on color and the deep build-up of paint to create form. Depth and perspective are subordinated to the flattening effects of his slashing, violent brushwork. Some of the “abstract landscapes” from 1957 to 1963 are based on the landscape around Long Island Sound, including Merritt Parkway, a local highway. Speed is suggested by the controlled thrusts of the brush while the naturalistic palette conveys the crisscross of the road through the landscape.

Photo: 📸 Kim Bell